Doom warriors Crypt Sermon unleash unreleased gems for fiery EP ‘Saturnian Appendices’

Photo by Scott Kincade

Couple of weekends ago, I was having a beer that wasn’t quite doing it for me. My fridge isn’t normally decked out with beers as I only chill a few each weekend  because portion size even counts when you’re drinking. So, I went back to see if I had anything else cold, and all I had was an 8-ounce Belgian. Fuck, if it wasn’t exactly right.

Same could be said for Crypt Sermon’s new EP “Saturnian Appendices,” a four-track affair that still clocks in at nearly a half hour. The band—vocalist Brooks Wilson, guitarists Steve Jansson and Frank Chin, bassist/backing vocalist Matthew Knox, synth player Tanner Anderson, drummer Enrique Sagarnaga—had some material left over from the sessions that produced their excellent third album “The Stygian Rose,” and that is presented here as three new songs and a very intriguing cover of a black metal classic. Anyone subscriber to the Decibel flexi series has heard two of these cuts already, and for everyone else, this is fresh new material that hits just right. The serving size doesn’t matter; the quality does.

“Only Ash and Dust” fittingly has a fantasy vibe, the track trickling in before bursting in full. The playing is driving and dark, the chorus soars, guitars charge up as the pace blisters, “oh-oh” calls power, and a galvanizing spirit brings everything to a raucous end. “A Fool to Believe” is powerful, classic-style riffs taking off, the playing chugging and bruising bones. Guitars burn as the pace fires up harder, the chorus making blood jet through veins, Wilson’s tortured wails taking you down as he calls, “We’re here alone.” “Lachrymose” has keys dripping and the riffs blazing, gothy moments bubbling to the surface on the chorus, and even some deeper singing reaching into the guts. The tempo storms as soloing cuts laser-like into metal, and as Wilson howls, “There’s no tomorrow, so I spit on hallowed ground,” you can feel the energy and power in your bones. We end with a very different take on the Mayhem classic “De Mysteriis Doom Sathanas,” one that takes the drama into a slower, more shadowy realm. Wilson’s bellows work into the cracks, the playing sometimes feels liturgical, pacing the ritual, and the performance both pays homage to the creators and ends with something more sinister.

Even an appetizer from Crypt Sermon is worth stopping what you’re doing and indulging in full, as “Saturnian Appendices” fully delivers. While it may be a stop gap between records, the material here thrives and continues to add to the band’s legend, feeling fuller than many other full-lengths from other artists. This is a strong display that is well worth your time, even if it doesn’t demand as much of it as usual.

For more on the band, go here: https://www.cryptsermon.com/

To buy the album, go here: https://www.darkdescentrecords.com/shop/

For more on the label, go here: https://darkdescentrecords.bandcamp.com/

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