This is a place for metal, but let’s not kid ourselves. Who among us ONLY listens to metal? Oh, um, if that’s you, then sorry.
I was just reading an article in Spin about John Darnielle, the leader of the Mountain Goats and contributor to Decibel Magazine. Anyone who’s ever heard the Mountain Goats knows they are decidedly not metal. Still dark in spots, but in no way metal. That said, Darnielle is a huge metal head who would put most people’s knowledge (myself included) to shame, and when he was putting together the new Goats album “All Eternals Deck” (their 16th!!!), he called up death metal producer extraordinaire Erik Rutan (also leader of Hate Eternal) to work on some of the tracks. He said when he called Rutan, the man was thrilled because all he’s ever asked to do are metal records, and his tastes are far broader. Not to put myself in the same category as Rutan, but think of Meat, Mead, Metal the same way. Metal primarily, but there’s a lot more that gets us going.
That said, just like we did a couple weeks ago with the best metal records (so far) of 2011, we’re going to do the same here for non-metal releases. It’s funny, but as I was putting candidates on this list, I realized I have more to consider than I did for the metal list. So that tells you something. Anyway, some of these might be a little obvious, but whatever. I never worried too much about if I was listening to something that tons of other people were as well. So here we go…
Jessica Lea Mayfield is 21, and by listening to her way, way too blunt lyrics, it sounds like she’s on about her seventh life or so. And none of them, this one especially, have been easy. “Tell Me,” her second album, continues the heartbreak and damage she conveyed on her debut “With Blasphemy So Heartfelt,” but the music is far more fleshed out. Her singing, always her strong point, is even more confident, and the songs have a timeless feel. The music has a heartfelt Midwestern flavor, and she can get loud when she wants to, but she tends to let her volume come across in her words. Closer “Sleepless” is one of the most upsetting songs I’ve heard in a long time. If someone you knew wrote this or performed it for you, you’d be calling suicide hotlines in no time. I can’t say enough about how much I like Mayfield.
For more, go here: http://www.jessicaleamayfield.com/
Wye Oak is a duo out of Baltimore that makes delicately soft and pulverizingly loud music. They manage to take those two elements and make them work together as well as anyone else. In fact, considering there are so many metal bands that do this very thing, chances are there will be some appeal. Plus, Jenn Wasner can absolutely rip on the guitar. She has quiet, sometimes child-like vocals (not in the annoying way … it’s hard to explain), but when she pounds on her distortion pedal, you’re sure to not be able to hear so well for the next few hours. Their new record “Civilian” is a tough one to grasp at first listen. It may take a few visits to really get this thing. It was that way for me, but I always wanted to go back and explore the thing. It’s hard to put a label on this band other than “indie rock,” which is so generic and really descriptive of nothing. But I think you know what I mean. And it’s also so much more than that.
For more, go here: http://www.wyeoakmusic.com/
Well, here comes Capt. Obvious, coming around on his space craft of obviousness. The new Decemberists is awesome. That’s it. No arguments. People detested their concept album “The Hazards of Love,” which happens to be my favorite of their records. I think in time, that album will get more respect and love. People have a hard time dissecting something in its immediacy if it doesn’t meet some sort of lofty set of expectations. So you may wonder from what I wrote if I like their new one, “The King Is Dead,” more than “Hazards.” I do not. But it’s still an excellent album, very indicative of the band’s earlier, more simplistic years, yet with more of an ’80s edge, likely due to R.E.M. guitarist Peter Buck producing and playing on some of the cuts. The record actually debuted at No. 1 on the Billboard charts (shocking to me since so many people eschewed “Hazards”), but it was well deserved. There aren’t as many morbid tales on this one, but there are 10 damn good, stripped down songs you won’t ever get out of your head.
For more, go here: http://decemberists.com/
Esben and the Witch’s “Violet Cries” is a spooky, dark one. The band itself is named after a Danish fairytale, and they make more noise than any trio seemingly has a right to make. That doesn’t mean they always level you with decibels, because they don’t. They more envelope you with their gothy, shoegazey fog, which probably would have made them giant stars in the mid to late ’80s when “120 Minutes” and shows of that ilk were at their most influential. Anyone into Portishead, Siouxsie and the Banshees or even more recent bands such as Bat for Lashes or Warpaint probably will dig this. The highlight for me is Rachel Davies and her heavily accented, expressive vocals, that add even more lure and mystery to these songs (check her refrain, “We’re dancing,” on “Argyria” that sounds more like, “We’re don-cing”). I have a few Esben and the Witch cuts on the weekend mix my wife and I play as we’re cooking, playing trivia games, etc. And their songs always make me pause. Certainly give this one a shot.
For more, go here: http://www.esbenandthewitch.co.uk/
There are plenty others I could go on about, but I eventually need to do some things around the house. Here are some of my other favorites: Destroyer’s weirdly nighttime-friendly “Kaputt”; Metal Mountains’ waifish, dreamy folk lathering on “Golden Trees”; Caroline’s gorgeously delicate electronica on “Verdugo Hills”; The Head and the Heart’s heart-on-sleeves, emotive folk rock on their self-titled debut; and the Joy Formidable’s ear-splitting, arena-sized shoegaze lava on “The Big Roar.”
More metal to come, of course. We still need to discuss Goes Cube’s new one, as well as new stuff from Obscura and Summon the Crows, which is a monster. All in good time.