Taking vengeance upon someone typically means that person wronged you, hurt you mentally or physically, stole from you, or committed some other deed that did damage. Responding in kind to that person is to ensure they never do that again. That bloody act is the centerpiece of “Violent Creed of Vengeance,” the second record from metallic force Smoulder, making this their deadliest hour. Over these seven tracks, the band—vocalist Sarah Ann, guitarists S. Vincent and Collin Wolf, bassist Adam Blake, drummer Kevin Hester—used their razor-sharp speed and power metal to drive their means of payback, and the fact that it’s a female hero as our protagonist (check that cover art) helps even the warrior scales, fucking finally. Ann directed her rage toward rapists and abusers, as well as the support system that enables this behavior, and she imagines violence unspeakable and the desire to entirely extinguish evil forces for the betterment of the world.
The title track kicks in with riffs charging and Ann’s soaring singing, as she goes a register higher than she did on much of Smoulder’s debut “Times of Obscene Evil and Wild Daring.” The band is in total command, telling dark and fantastical tales, the fluid assault taking you to task and injecting energy into every ounce of this track. “The Talisman and the Blade” is speedy and jarring, the vocals pounding away, the energy palpable. “To fathom the witches riddle, power is nothing if given to you, let the forces of furies unite for justice, for light, and life,” Ann wails over the chorus as the guitars charge up and ignite the power, the drums pounding, and the bass slicing a thick path.
“Path of Witchery” explodes with jarring riffs and a stomping pace, the chorus once again shining brightly as one of the most alluring parts of the track. Punches land as the leads take on more fury, the soloing giving off blinding flashes, the singing feeling immersive and sinewy, everything sweeping through to a dramatic end. “Victims of Fate” runs 7:41, driving a knife through your chest, taking off with plodding strength. Glorious and humid, the track keeps building, the story evolves, and Ann calls out (in reference to the center city in Michael Moorcock’s multiverse), “Tanelorn, I wish for release, Tanelorn, will I find you in?” as the power drives into the sky and fades away. Closer “Dragonslayer’s Doom” runs 9:51 and lights up before hitting a tempered pace, getting more molten as things progress. The pace chugs as the guitars go off on a journey, Ann standing with blade in hand as she adds more muscle. This is a band that cannot be denied, and their second album is one that drives home the fact that they’re ascending to a throne no one can prevent them from taking. (April 21)
For more on the band, go here: https://www.facebook.com/SmoulderDoom
To buy the album, go here: https://www.cruzdelsurmusic.com/store/
For more on the label, go here: https://www.cruzdelsurmusic.com/
Meat Mead Metal 